среда, 14 сентября 2016 г.


HUI LIVE | easy e-point—food-up network oil oil peak ForurLocation: Hilton Shenzhen Shekou Nanhai hotel

Location: Hilton Shenzhen Shekou Nanhai hotel

Media Support: Sina, Netease, gold online grain and oil market newspaper
To accurately grasp the grease oil industry development status and future trends, and promote China's agricultural 粮行 industry transformation and upgrading, promote the globalization of China's economic development has injected new impetus.Food-up network in Hilton Shenzhen Shekou Nanhai hotel held the grease oil peak Forum on.

The event site invitation to Beijing-the concept of the Asia-Pacific Executive President Feng Yang song, Sime Darby, Senior Vice President, Harice Arshad, Louis Dreyfus commodities China Trade Co., Ltd. General Manager Zhou Xuejun, the National grain and oil Information Center Director Zhang Liwei, COFCO Trade Co., Ltd. Business Department General Manager Shi JI original, and many other great coffee, share the grain and oil market and the“Internet+”trend, and many other Dry goods.
In this event, the HUI STUDIO maintains efficient and rigorous in the usual style, with innovative ideas and good professionalism, there is no flocculation of the food-up network organized the Forum the significance of the expression of the fullest now!

пятница, 9 сентября 2016 г.

7 Musts of great comprosition in photography

What makes a great picture? There is always room for creative interpretation, but if you want to create a memorable photograph, these are seven things you must do.

Speaking of musts, every discussion about photography and composition must begin here. Before you ever hoist your camera or touch your shutter, you should say to yourself, “This is a picture of a ____.” When you fill in the blank, be as specific as possible. The more specific you are, the better the picture you can take. This is one of the truisms of photography. To have a great picture, you must have a clear, unmistakable subject.
The reverse is also true. If you ever find that you aren’t crazy about one of your pictures, ask yourself, “What’s the subject?” If a long, awkward pause follows, you’ve just solved the puzzle for your lackluster photo.
It’s not enough to have a clear subject; you must make it prominent in the frame. The easiest way to do that is to dominate most of the real estate of your image with your subject. That often means getting close. It might mean standing back and zooming in. Each decision has its own creative implication. The reverse rule also works here. If you look at your image, and your subject isn’t obvious, you are probably too far away. Zoom with your feet, and fill the frame.
The old adage is that photography is painting with light, and if that’s the case, you have to harness the light to create great pictures. A painter doesn’t carelessly swipe paint across a canvas. As a photographer, you should never be careless with light either. This means you should always be aware of your main light source. You should know if it is coming direct to your subject, diffused through a filter, bouncing off another object, or completely controlled. Each decision has enormous consequences. For great pictures, this decision is never left to chance. You must actively decide how you will manipulate the light.



Here is the question you must answer with your photo: So what? So many messages and images clamor for our attention. Why should I stop to look at yours? Great images have an arresting quality about them. They create a mood or evoke an emotion. They make me stop. They make me look. They make me feel. You must evoke my interest if you want me to care.
We are attracted to harmony and balance—in life and in art. Great composition balances the objects in the frame so there is even weight. If you have all of the items on one side of your frame, your photo will feel lopsided. Dark objects must be balanced against light ones. Large items play against smaller items. Empty space can be balanced against busier areas of your frame. For pleasing composition, you must balance the objects in your frame.
A great picture usually tells a story at a glance. The photo’s elements, characters, and setting all communicate in an instant exactly what is going on in a way that we can connect and relate. Great storytelling always has strong characters, an obvious challenge, drama, controversy, and a satisfying conclusion. It might be hard to get all these elements into one photo, but with enough creative elements, you can have a dramatic effect. At a glance, you will know exactly what is going on. A great picture must tell me a story.
Effective composition follows very well established rules, but if you really want to be great, you must know when to break them. The Rule of Thirds has been widely accepted by photographers and painters for more than 200 years, but there are times when you can put the subject in the center. Break the rule because it creates a desired effect or emotion, not because of an oversight. Learn the rules, then break them. After all, they aren’t commandments.